A arquitetura de Rodrigo Lefèvre em três atos: reconhecimento de uma identidade projetual a partir da análise de obras executadas na década de 1960

Abstract

This paper analyzes three works by Rodrigo Lefèvre (Marieta and Ruth Vampré Residences, Bernardo Issler Residence and Cleômenes Dias Batista Residence) from the dialogues that fostered the debate on architecture in the 1960s and 1970s, the new circumstances in which one is projected to face a political and social context, the changes in the architect's position in relation to the field of architecture and the project as a synthesis of these transformations. The aim is to find in these works the evidences of Lefèvre's architecture, contributing to the construction of a repertoire that highlights the architect, his practice and project identity in the history of Brazilian architecture.